My bedroom is not an adventure.
It is white, black and brown with only the occasional splash
of colours on the calendar, the bookshelf or the one open window.
Through the silver vines cracking the black curtain you must
pass and enter. Each object, lined up against the walls, placed amid the stones
of the mosaic floor, you must touch.
First: to the crowd of words and colours, furiously haggling
with each other, shouting out their theories and opinions from their spots on
the brown shelf. The lines on the wood, the stones on the floor, the stars on
the roof have all gathered for conference; for someone must walk into each
book, must live with the people of each new world, must learn the problem or
the proposition, and must choose the postulates that form the constitution of
the Land of the Books.
Second: to the point of the calendar. She prides herself as
the only poster in the room, talking of the countryside of North Eastern India.
She stands glaring at the window on the opposite wall who claims his is the greenery
that is real, while hers are the confused colours of memory. You must look at
the window: a picture of a fern and a neem and a large tree and a skinny one,
gossiping at the street corner, caressing the signpost and the lamp-post. Is it
real or magical; is it a truth or a lie? You must tell the calendar if she is
wrong or right. Who will be the room’s supreme poster: the quiet countryside of
the North-East or the bustling street-corner of the Capitol.
Third: to the desk, the shrine of the Oracle. At its centre
sits the priest, not vain, not boasting, the medium of a God all-knowing. She
remembers what you say, as she hears the billion other voices that confide in
her. When you are lost she will guide you. If you ask the right questions she
will show you the world. But first, you must solve the riddle she has put to
you.
Fourth: to the electric piano and its band of speakers.
Touch the keys to give your command. And they will carry you to the clouds
above or a day in your past, to a concert or a house of cards.
Fifth and final: To the bed for one and a half. Turn off the
lights and wait until that rare night; when the sun and the moon are both
asleep in their chamber and upon the earth shines no light. The street lights
and car head-lights throw amber cones onto the roads across the globe. But my
bedroom becomes a world of shadows. And you, too, will melt into the dark;
become no more than a wisp of smoke. The room will spin and take you along to
other worlds that are more alive than the World of Lies from whence you stepped
into my bedroom, where you may win conquests, solve crimes, walk around or make
love under the sea.
And when morning arrives, wise and victorious, you will find
yourself at the centre of a room brown, black and white: a bedroom, my bedroom,
that offers no extraordinary sight.
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